Charly García did his stuff, but what was the best musical by Skay Beilinson. And there was much more: a classic Flaco Spinetta and never León Gieco that swept past and present. All compared to 35 thousand people used to a healthy coexistence. could not stand it anymore. Hideous clothes had been placed and chosen the wrong size, not counting what they did before, from the photos unconscionable to support lightweight Kill Gill, hospitalization and the pharmacopoeia not fun. Charly Garcia broke down and at the close of the second moon was dispatched Cosquín rocker with a three-hour show, a couple of sentences anthologies ("Latin No More", which charted better) and a pair of starts against equipment. First came the foot of microphones, which kicked from one side to another, then the mic, released as a ball on the floor of the stage, and end at 3.15 am, an hour and a half later than previously thought, is grabbed her against a couple of teams, battery, microphone and more feet his own pants, although unintentionally. "He Charly", was saying some since it started, trying to maneuver the hot iron left him Skay Beilinson, who gave one of the best shows of the festival. Rather, Charles became the performer and gave also some outlets for the souvenir, but musically Skay took everything.
Halfway up, from the mountains that crown the aerodrome Punilla Santa Maria, the new site coscoíno traspolaba the madness of Buenos Aires, some 700 meters above sea level. Only instead of taxi drivers and pedestrians bulging insolent, which is crossed by slalom through the grass were 15 000 young people who came early. Some coming to see the start of Luis Alberto Spinetta on the main stage, others going to dance with Dancing Mood wait and bandits lyrics Dread Mar I, that have been getting at night from the radio and television and stealing the undefeated which had not been captivated by the reggae (and provoking mixed results the rest, you do not understand if romantic cumbia, reggae lover or what). The genre had its special setting (closed Nonpalidece), summoned, entertained and raised.
But basically happened on the main stage, especially in this edition of Cosquín Rock, opening a new policy expressed by the producer José Palazzo focus on historical events of the Argentine rock: Spinetta passed through it, León Gieco (accompanied of the D-Mind and of itself), the former rounds and Charly Garcia, a combo that ended summon more than 35 thousand people, it seems well accustomed to healthy living, because there was no trouble.
From such a classic, Spinetta was almost medieval: Hardy stood on a chair in a row with the band in front of his amp and only with his guitar, a lectern and his voice (the voice). In the manner of a Zucchero, but to no one, spun a number of fine songs with a jazzy strong imprint. From "Ludmila" or "October 8" to "Love Song for Olga" or "Peach bleeding, all were mediated by a drop curtain for good jazz drummer and keyboardist Sergio Verdinelli Mono Fontana. In addition, his youngest daughter, Vera, a singer to develop him to the same height as all in a music scrumm excellence. Own and others, because they also did "Tea for Three", in honor of Gustavo Cerati. León Gieco
Among
and Los Pericos shared the guests to dinner. In scenario one, Gieco started in two dimensions: real on stage with his guitar and harmonica, and virtual screens in an extract of the filming of BARock, to make "Iron Man" with one voice with dubbing technology. "The Rock Cosquín comes from La Falda Rock, which comes from BARock. Am I the only lucky enough to play Folklore and Cosquín Cosquín Rock ", reviewed a history lesson León own, but more interesting was their overview of the history collective "memory", "The angel of the bicycle," "All I ask of God" (dedicated to Mercedes Sosa), "Five centuries as" (a Evo Morales) and a loud and extolled "Think of nothing" together Heavy D group-mind.
were already 35 000 bodies pulled Skay for when the main stage. And while the other was finished and started Los Cafres Fidel Nadal, former Round was a magnet for rockers of all ages, preferences and economic conditions. It was, by far, which sounded better in the first two days of the eleventh annual rock festival federal. Accompanied by a very good second guitarist and a hard rock rhythm section and burly accurate, Skay did what he wanted with his guitar and the people. "Rain on Baghdad" began almost muted by a technical error, but after that there were no potholes: it was all forcefulness, a professor of rock for the masses in the key of world music, but dressed in hard rock. "Maybe tomorrow", "On the Road", "Where are you?" And "Moon in Fez, among others, showed that Skay has career and public right itself in the post-Round, but inevitably were the recreations of "The kid of the yards" and "Jijiji" announced the end, what most impressive waves and waves of people jumping and waving at the edge of breakup.
Charly elected him an awful Smart casual dress, but he made better decisions and put together a strong list, with "We are hitting bottom", "I will not train," "Close to the revolution," "I pray for you" and clean hit "Never mind." Ready to interact with the cameras, to give gestures (little tongue out to lick the air, fuck you for who took charge) and to try small outbursts of violence against the instruments, spun for an hour and a half a show full of exciting moments, surprises and occurrences. "We are playing a cumbia. Or a reggae. Or a reggaetón. Or better, a black genre older than all these, known as funk "introduced" Fanky "and provided smiles.
But to 1.30 after the second round began his show, a distance of one and a half by references to whiskey, national anthems and pieces of a past that was beautiful, that resulted in Garcia's back to the stage, throwing the speakers and amplifiers to the floor with one hand and holding his pants with the other. Very nice jacket, but usually wear the pants with a belt.
By Luis Paz
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